Shelley Niro (données partielles)
Films réalisés par Shelley Niro
Citations de Shelley Niro [en anglais]
« Back in 1992, film was something that I never would have even imagined I would be able to make. It's like saying, 'Okay, I want to be an astronaut', and it's like, 'Yeah, right!' Because it will never happen, because you know for one thing, economically it is so beyond my scope. I never even considered it until I met a filmmaker, Anna Gronau, from Toronto, whom I approached to make a film with me. I think once I went through the steps of making this film, seeing the actual steps that had to be done to make a film, I realized that you can make a film, anybody can make a film. »
-- Shelley Niro
(source)
« In the past, I wanted to create opposing views of how Indian women were seen. By playing with what was already there, I could deconstruct and invent new personalities. In the end, I came back to what is culturally embedded. I present images that speak loudly of Indian women who happen to be Iroquois. »
-- Shelley Niro
(source)
Pour lire les CITATIONS sur un film spécifique de Shelley Niro, veuillez voir : It Starts With a Whisper
Honey Moccasin
Suite: INDIAN
Notes sur Shelley Niro
- Cinéaste, photographe, peintre et sculpteure.
- Membre de la Nation Mohawk.
- Née à Niagara Falls (Ontario).
- A grandi à la réserve Six Nations (près de Brantford, Ontario).
- A étudié au Collège Cambrian, à l'Ontario College of Art et à l'Université de Western Ontario.
(sources)
Bibliographie sur
Shelley
Niro
Section 1 : Publications sur Shelley Niro
Chapitres de livres
-
KALAFATIC, Carol. « Keepers of the Power: Story as Covenant in the Films of Loretta Todd, Shelley Niro, and Christine Welsh »
,
dans Gendering the Nation: Canadian
Women's Cinema, sous la direction de Kay Armatage, Kass Banning, Brenda Longfellow et Janine Marchessault, Toronto, University of Toronto Press, 1999, pp. 109-119.
[en anglais]
-
WEATHERFORD, Elizabeth. « The Journey's Discovery: An Interview with Shelley Niro »
, entretien avec Shelley Niro,
dans Native Americans on Film: Conversations, Teaching, and Theory, sous la direction de Eric L. Buffalohead et M. Elise Marubbio, Lexington, Kentucky, The University Press of Kentucky, 2013, pp. 337-358.
[en anglais]
Section 2 : Publications sur les films de Shelley Niro
Brèves parties de thèses
-
KALBFLEISCH, Elizabeth Claire. « The Testamental Landscape: Framing Homeland in Alanis Obomsawin's Kanehsatake: 270 Years of Resistance »
, dans Bordering on Feminism: Home and Transnational Sites in Recent Visual Culture and Native Women's Art, 2009. Thèse de doctorat, University of Rochester. (pp. 102-104)
[en anglais]
Chapitres de livres
-
SMITH, Paul Chaat. « Shelley Niro: Honey Moccasin: Home Alone »
,
dans Reservation X: The Power of Place in Aboriginal Contemporary Art, sous la direction de Gerald R. McMaster, Fredericton, N.B., Goose Lane, 1998, pp. 107-119.
[en anglais]
Brèves parties de livres
-
GITTINGS, Christopher E. Canadian National Cinema: Ideology, Difference and Representation, London, Routledge, 2002.
[en anglais] (pp. 226-230)
Articles de revues scientifiques
-
BEADLING, Laura L. « In an 'Indian' Key: Shelley Niro's Revisioning of the Baroque Suite Form in Suite: Indian », Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques, vol. 20, no. 2 (automne 2011), pp. 111-127.
[en anglais]
Fonds et collections d'archives
Ces centres d'archives conservent des fonds ou collections liés à Shelley Niro ou à ses films :
