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| Réalisé par Deepa Mehta |
| Canada / États-Unis, 2020 (fiction, 109 minutes, couleurs, anglais / singhalais / tamoul) |
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| Image : © Array Releasing |
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Description du film [en anglais] : « A moving look at a young man coming-of-age amid sweeping political strife, Funny Boy follows Arjie from boyhood to his teens in Sri Lanka of the 70's and 80's. Raised in the elegant world of wealthy Tamils, a minority group in a largely majority Sinhalese country, Arjie loves dressing up like a bride for pretend wedding ceremonies with his girl cousins. Oblivious to the whispers between his parents and other relatives, Arjie cannot understand why they call him 'funny,' though he knows it's a 'bad' thing. When his magnetic, free-spirited aunt Radha returns to the family home and embraces Arjie for all that he is, the two develop an unbreakable bond. As Arjie, Radha, and their entire family's lives are irrevocably impacted by simmering tensions in their country that erupt into civil war, an indelible story about love, identity, and freedom unfolds. » -- ARRAY (source)
Description du film : |
| Générique (partiel) : | |
| Scénario : | Deepa Mehta, Shyam Selvadurai |
| Source originale : | Funny Boy, un roman de Shyam Selvadurai |
| Produit par : | David Hamilton, Howard Shore, Gopi Darmaratnam, Moe Rai, Neil Mathieson |
| Interprètes principaux : | Agam Darshi, Nimmi Harasgama, Ali Kazmi, Seema Biswas, Rehan Mudannayake, Peter Cockett, Shivantha Wijesinha, Brandon Ingram, Arush Nand, Ruvin De Silva |
| Images : | Douglas Koch |
| Montage images : | Teresa Font |
| Musique : | Howard Shore |
| Société de production : | Hamilton-Mehta Productions, ARRAY |
« All my films are quite political. This [Funny Boy] was a good fit for me, because it's not just a coming-of-age film. It also deals with an oppression of minorities. »
-- Deepa Mehta
(source)
« Everyone foresaw a fourth film [after Fire, Earth, and Water], the final element. But I thought I was done, till I finished making Funny Boy. When I wrapped up the filming, it struck me that I had actually made [the fourth film] without quite intending to. Funny Boy is my fourth element—the element of space, as opposed to air. It is a temporal space Arjie occupies as a minority Tamil in Sri Lanka, in the in-betweens of his family, his love for Shehan, his upper-caste Sinhalese boyfriend, and the bloody war through which he is trying to find himself. »
-- Deepa Mehta
(source)
« Funny Boy is based on a beloved book of the same name by Shyam Selvadurai, a Sinhalese/Tamil/Canadian novelist. Even though the book is popular and taught at universities in Sri Lanka, when it came time to make it into a film we faced massive resistance from the authorities. The producer David Hamilton and I, along with the film team (our local Sri Lankan producer) spent nearly a year trying to get permission to film the script. It was rejected twice by the government agency that green lights 'foreign' films. We got lucky with some key allies like David McKinnon and Asoka Handagama, who became staunch supporters and never let us give up. »
-- Deepa Mehta
(source)
« That wonderful feeling that it's not lit. What's the color palette [in Funny Boy]? It's ochre, it's green, it's blue. It was all real, we didn't light it. We didn't do it in the post, or whatever. We didn't have money to do anything in the post anyways. But it was also about the red of blood when it comes, so the way [Douglas Koch] shot it was always thinking of the emotional core of the scene and always about: 'if this is paradise, wherever paradise is, it can be lost'. »
-- Deepa Mehta
(source)
« When Arjie is a boy, his father (Ali Kazmi) pushes him to avoid 'girly things' and instead work on his cricket. But Arjie is encouraged by a cool aunt, Radha (Agam Darshi), who helps cultivate his interest in theater and teaches him to put nail polish on his toes where no one can see. In what becomes a motif, the director [of Funny Boy], Deepa Mehta, cuts to shots of older Arjie sitting in his younger's self's place at crucial moments like this one. »
-- Ben Kenigsberg
(source)
« 26 years after the publication of his novel [Funny Boy], [Shyam] Selvadurai has collaborated with [Deepa] Mehta on the adaptation. The result is more conventionally constructed than the source, a bildungsroman told via six distinct vignettes from the protagonist's early childhood and adolescence, also marking the shifting state of the nation in stark jumps. As a film, Funny Boy is more fluid but less detailed from one act to the next, with a diffuse array of subplots that have limited room to breathe in a tight 109-minute runtime. Perhaps the source would have been best served by a miniseries format; as it is, it's still a spirited, enveloping evocation of a challenging time and place, aided immeasurably by vibrant on-location shooting in the former Sri Lankan capital of Colombo. »
-- Guy Lodge
(source)
« Funny Boy is a film bursting with powerful performances, particularly Agam Darshi as Radha, Nimmi Harasgama as Arjie's mother, who is sympathetic to the Tamil cause, and Arush Nand and Brandon Ingram as the young and old Arjie respectively. However, in concentrating on performances, Mehta abandons any semblance of accurate Tamil-language diction during the film's Tamil dialogue segments, and the language is mangled in a variety of ways. While this will not be an issue for those relying on subtitles, for those who know the language it will be a major one, detracting from what is otherwise a fine piece of work—though a Tamil language redub is understood to be in the works. »
-- Naman Ramachandran
(source)
« Funny Boy certainly couldn't be considered hard-edged art cinema, its mainstream polish arguably helping its harsher content slip down a little too smoothly. Nevertheless, it is undeniably executed with unsentimental intelligence, integrity and some bracing mischievousness. »
-- Jonathan Romney
(source)
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