Citation :
« While dealing with the timeless theme of aging, infirmity, and death as seen through the innocent eyes of children, the animation also exudes the warmth and sometimes self-deprecating humour of first-generation Jewish urbanites. Leaf's animation technique of continually changing washes of water-colour and ink on a glass plate created an almost cryptic rhythm of object-blending-into-object, beyond the earthbound rules of fixed observation. »
-- Gary Evans

Source :
EVANS, Gary. In the National Interest: A Chronicle of the National Film Board of Canada from 1949 to 1989, Toronto, University of Toronto Press, 1991. [en anglais] (p. 231)