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« At first glance, the structural strategy of 1933 seems perfectly in keeping with the other films in the tradition. There is a feminine specificity in the work of [Joyce] Wieland, however, that is not found in the work of Michael Snow. For like [Marie] Menken's views in Go Go Go, 1933 presents a specific kind of passive alienation from the world going on around the camera. »
-- Walter Metz


Source :
METZ, Walter. « 'What Went Wrong?': The American Avant-Garde Cinema of the 1960s » , dans The Sixties, 1960-1969, sous la direction de Paul Monaco, New York, Charles Scribner's Sons, 2001, History of the American Cinema, vol. 8. [en anglais] (p. 255)