Citation :
« By foregrounding the female body/voice as site of articulation and resistance, and giving us multiple bodies expressing multiple subjectivities, all towards a unified truth (the brutality of misogyny), Mourir à tue-tête creates both singular affective identification and a sense of community. And, as such, it performs a talking cure. »
-- Jodi Ramer

Source :
RAMER, Jodi. « Mourir à tue-tête / Scream from Silence » , dans The Cinema of Canada, sous la direction de Jerry White, London, Wallflower, 2006. [en anglais] (p. 118)